SIMGOT is quickly becoming a standout name in the ever competitive ChiFi market. The brand has built a solid reputation with a lineup that caters to both budget-conscious audiophiles – such as the SIMGOT EW200 – and those seeking premium offerings.
Speaking of which, I really appreciate the solid performance of the EW200 for its asking price when I reviewed it last year, though I wasn’t entirely won over by its bright sound signature. So the question is, has the EW300 made considerable improvements in sound quality, and does it still retain the bright presentation of its predecessor? Let’s dive in and find out.

What It Is
The SIMGOT EW300 is a tribrid IEM – that is, it features three different driver types – featuring a mix of dynamic driver, micro-planar driver, and piezoelectric (PZT) driver. This combination might be a familiar one to some, given that it’s similar to the more expensive SIMGOT Supermix 4 IEM minus the balanced armature driver.
Three variants of the EW300 are offered: there’s the standard EW300 I am reviewing here; the EW300 DSP Edition; and the EW300 HBB Edition. The HBB Edition is a collaboration with popular YouTuber HawaiiBadBoy, and it stands out with a stealthier, sandblasted matte black finish compared to the standard model’s shiny mirror finish. The DSP version, on the other hand, is fitted with a DSP cable.
Pricing wise, the standard EW300 is listed at $69.99 (about RM300), $75.99 (approximately RM330) for the HBB Edition, and $79.99 (around RM345) for the DSP Edition.



Unboxing the EW300 is quite a pleasant experience, especially at this price point. Along with the IEM, you get a hard shell carrying case, a cable, an extra tuning nozzle, eight gaskets, three pairs of ear tips, and acoustic foam for the nozzles. Aside from the slightly random “cross and heart” decals, the package offers what you need (and more) for the money.
Now, the tuning nozzles are quite interesting, and I’ll circle back to them further down the review.
How Does It Sound?
SIMGOT’s house sound generally leans toward a neutral to bright tuning, as I have experienced with the EW200. However, the EW300 takes a slightly different direction, offering a lightly U-shaped sound signature with a touch of warmth that make for a more enjoyable listen – well, to my ears anyway.

The inclusion of both planar and piezoelectric drivers brings above-average detail and resolution. The soundstage is also impressive, with good width and depth for an immersive listening experience.
Bass
In this regard, the EW300’s bass is deep and satisfying with a solid rumble and impressive extension. There’s a clear emphasis on sub-bass over mid-bass, giving the low-end plenty of fun and impact. The texture is thick and well-rounded, though the bass isn’t the tightest or fastest. However, it’s well-controlled, never feeling overly boomy or out of place.
Mids
There’s a slight bass bleed into the mids of the EW300, but this actually works in favour of male vocals, adding a pleasant warmth and fullness. Male vocals come through with good weight, creating a lush, organic texture. Female vocals, on the other hand, are well-controlled without sounding shouty. The mids in general are nicely tuned, allowing for clarity without overpowering the other frequencies. However, I personally find female vocals to be a tad steely and unnatural with the EW300, perhaps due to the inherent nature of the piezoelectric driver.


Highs
In my opinion, the EW300 makes significant improvements in the treble department compared to its predecessor. One of the main gripes I had with the EW200 was its overly bright and fatiguing treble, but the EW300 smooths this out considerably. Thanks to the tuning of the planar and PZT drivers, the treble is detailed and clear, with good air and sparkle. Extension is impressive, providing richness without sharpness, though it still carries some of the planar driver’s timbre, which may not sound entirely natural to some listeners.
Nozzle Differences
One of the standout features of the EW300 is the ability to swap between two tuning nozzles, resulting in very noticeable sound differences. While swapping the nozzles is a bit more involved than simply flipping a switch or swapping tips, the change in tonality is worth the effort, effectively giving you two distinct tunings in one IEM.

For the silver nozzle, it offers more air in vocals and a brighter treble response, with a slightly wider soundstage. This nozzle is perfect if you prefer a more energetic, detailed sound. As for the gold nozzle, it emphasises tighter, stronger bass, creating a more fun and slightly darker sound signature. However, vocals become a bit recessed and lose some of their airiness.
Is It Worth It?
At $69.99, it’s hard to find anything to complain about with the SIMGOT EW300. Sure, it may not be the most natural-sounding IEM, and the planar and PZT drivers do exhibit some of their characteristic timbre quirks. But given the sheer audio quality that you’re getting for the price, these are merely minor gripes.

The EW300 offers great value for money with its balanced tuning, versatile nozzle options, and premium build quality. If you’re looking for a solid, affordable tribrid IEM that punches well above its price point, this SIMGOT IEM is definitely worth considering.